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William Lugg (4 June 1852 – 5 December 1939) was an English actor and singer of the late Victorian and Edwardian eras. He had a long stage career beginning with roles in several Gilbert and Sullivan operas〔 and continuing for over four decades in drama, comedy and musical theatre. Later in his career, he appeared in nine silent films in the early years of British cinema.〔 ==Early life and stage career== Lugg was born in Portsea, Portsmouth, Hampshire. A bass singer, his first professional theatrical appearances were with the D'Oyly Carte Opera Company, which he joined in January 1884. With that company, at the Savoy Theatre, he created the small role of Scynthius in the original production of ''Princess Ida'', by Gilbert and Sullivan. Lugg then played in the D'Oyly Carte's first revival of Gilbert and Sullivan's ''The Sorcerer'', as the Notary, and ''Trial by Jury'', as the Usher, from October 1884 to March 1885. After this, he left the company.〔Stone, David. (William Lugg ) on the ''Who Was Who in the D'Oyly Carte'' website, 27 August 2001, accessed 13 December 2009〕 Lugg then appeared in small roles in three Arthur Wing Pinero plays at the Royal Court Theatre: ''The Magistrate'', ''The Schoolmistress'' and ''Dandy Dick''.〔 He sang the role of Sergeant Bouncer in ''Cox & Box'' by F.C. Burnand and Arthur Sullivan, when it was revived at the Royal Court Theatre in 1888.〔Moss, Simon. (Gilbert & Sullivan: a selling exhibition of memorabilia ), Sir Arthur Seymour Sullivan archive, c20th.com, accessed 13 December 2009〕 Also in 1888, he appeared at the Olympic Theatre in ''Christina'' and at the Strand Theatre in ''Run Wild'', ''Kleptomania'' and ''Aladdin''. In 1889 at the Comedy Theatre, he played in ''Aesop's Fables'', ''The Pink Dominos'', ''Queen's Counsel'' and ''Domestic Economy''. He was then back at the Strand as Nathaniel Glover in ''Our Flat''. In 1891, he appeared at the Theatre Royal, Drury Lane in ''A Sailor's Knot''.〔Parker, John. (''Who's Who in the Theatre: A Biographical Record of the Contemporary Stage'' ), Pitman, London (1912–1981), pp. 519–20〕 Lugg then joined the theatre company of William Hunter Kendal and Madge Kendal, where he remained for several years. With the Kendals, among other plays, he appeared in ''The Queen's Shilling'' as Colonel Daunt, ''Clancarty'' as the Earl of Portland and ''A Scrap of Paper'' as Sir John Ingram. After this, at the Lyceum Theatre with Johnston Forbes-Robertson, Lugg played as Polonius in ''Hamlet'' and as Duncan in ''Macbeth''. He joined the company of Henry Irving in 1899, where his roles included Benjamin Vaughan in ''Robespierre'', Titus Lartius in ''Coriolanus'', Lambert in ''The Lyons Mail'', Ireton in ''King Charles I'', Franois de Paule in ''Louis XI'', Salanio in ''The Merchant of Venice'', the Witch of the Kitchen in ''Faust'', Ruggieri in ''Dante'' and Roger in Tennyson's ''Becket'', among others.〔 In 1906, Lugg played the Stranger in ''The Jury of Fate'' at the Shaftesbury Theatre.〔 He then joined the company of Seymour Hicks and Ellaline Terriss at the Aldwych Theatre, for whom he played Lord Bellingham in the successful Edwardian musical comedy ''The Beauty of Bath''.〔Gillan, Don (ed). ("The Beauty of Bath" ), stagebeauty.net, reprinted from ''The Play Pictorial'', Vol 7, No. 45 (1906).〕 In 1907, he appeared with them as Andrew Quainton in ''The Gay Gordons''. In April 1908 he toured with Terriss in ''Sweet and Twenty''. In 1910, he was at the Prince of Wales's Theatre as Count Boethy in another musical, ''The Balkan Princess''.〔 Lugg then toured with Olga Nethersole in another musical, ''The Quaker Girl'', from 1910 to 1911, and appeared at the Lyceum Theatre in 1912 in ''The Monk and the Woman'', at the Prince's Theatre in ''Ben-My-Chree'', and in 1913 toured again with Nethersole. Returning to the Prince of Wales's Theatre in 1914, he played Peter Pembroke in ''Broadway Jones'', and at the Comedy Theatre in 1915 he was Edouard de Fontaine in ''Wild Thyme'' and appeared in ''On Trial''. At the Lyceum in 1915, Lugg appeared in ''Between Two Women'', and at Wyndham's Theatre in 1916, he portrayed the King in ''A Kiss for Cinderella''. In 1918 at the Lyceum, he appeared as Colonel Hilderbrand in ''The Story of the Rosary'', and the same year, he was the Comte de Belleville in ''Soldier Boy'' at the Apollo Theatre. The next year, he was Mr. Sysonby in ''The Bird of Paradise'' at the Lyric Theatre, and Father Thibant in ''Tiger Rose'' at the Savoy Theatre. In 1920, he played the Clergyman in ''The Truth About the Russian Dancers'' at the Coliseum, and at the Aldwych Theatre in November 1920 he again played Duncan in ''Macbeth''.〔 In 1921 Lugg appeared as the Comte de Courson in ''The Legion of Honour'' by Baroness Orczy, adapted from her novel ''A Sheaf of Bluebells'', at the Aldwych Theatre with a young Claude Rains.〔Skal, David J. and Jessica Rains. (''Claude Rains: An Actor's Voice'' ), the University Press of Kentucky (2008)〕 At the Royalty Theatre in 1922 he played Simeon Ristitch in ''Mr. Budd (of Kennington)'', and at the Lyceum in 1924 he was Father Pius in ''Under His Protection''. His last known stage performance was at the Gaiety Theatre in 1924, as Judge Delafield, J.P., in ''Poppy''.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「William Lugg」の詳細全文を読む スポンサード リンク
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